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Check out our first teaser from the N*****s In America Mixtape.
In honor of Black History Month, [TheNynthLife] will be honoring black innovators and trailblazers in the music industry.
Titled N****S In America, our Black History celebration has aims of highlighting artists from the beginning of the 20th century and educating our readers of artists who’s works have impacted the artists and music of today. We also plan to tie in historical events that would have influenced the theme behind the music of that time, this was especially important leading up to the Civil Rights Era as well as the creation of the Hip-Hop and Rap music genres. Accompanying this feature will be a mixtape, using music to tell the story of blacks in America and the accomplishments blacks have achieved. We look forward to sharing this opportunity to educate and celebrate with our readers and even learn a few things ourselves. Stay tuned, as this is sure to be a wonderful experience!
Hello, I understand some people have an issue with the titling of our Black History Month celebration special. I even read where someone cited the idea as “idiocy” if I’m not mistaken.
First, I’ll have you know that I am very proud to be an African-American and want nothing but to honor my fellow brothers and sisters. In fact, I attend Morehouse College; Martin Luther King, Jr. is both my brother and a well-respected figure of society, ergo his presence on the cover.
Now I can understand you having an issue with the title, if I were unaware of the developer’s intentions I would as well. I was inspired to use the word “Niggas” in the title for two reasons.
The first being of course a play on the same title Kanye West and Jay-Z used.
The title hadn’t cemented, however, until I began reading a selection from THE MAAFA: THE AFRICAN HOLOCAUST IN THE AMERICAS AND AFRICAN/BLACK PSYCHOLOGY that I was sold on this title. Just in case you didn’t know, maafa is a term describing the global concept encompassing the era of the physical-psychological bondage of African people (specifically the enslavement of Africans by the “New World” enclave of Eurasians.
One question the author of the Maafa poses is “What did the maafa mean culturally for Africans? Did it mean the deculturalization of Africans, or the disruption/ destabilization of African culture? Did it attack Africans’ sense of reality?
Well has it?
Obviously, when we recast the term other people have used to oppress us to define ourselves.
The special, if you’ve even read any of the posts, actually highlights blacks achievements and aims to let the readers know that despite people labeling blacks as incompetent, or niggardly, they’ve done great things for their community and the rest of the world.
Nigga, within itself, is a word in which has become a term we use to define ourselves sure; there’s nothing we can do to change that. But if we’re going to call ourselves niggas, why not give it a new definition? Why can’t nigga, a word blacks take pride and strict possession in using, be a good word? Why can’t these people who’ve been labeled as niggas be trailblazers?
I call myself a nigga, and guess what? I’m not in jail or the graveyard. I’m in school, maintaining a great GPA, and attempting to enlighten the community. So if nigga is what they choose to call me then I’m fine with that. Because I’m a nigga who’s doing great things.
Don’t be so quick to shoot things down or refer to them as idiocy when in fact you’re the one who’s ignorant to the intentions. That being said, if you would like to further enlighten yourself, check out our special, Niggas In America: A Celebration of Black Musicians in America, at TheNynthLife.com. Also, if you’re a music fan, don’t miss out on your opportunity to hear the story of blacks using the art of music (something we as black people have been a revolutionary part of since we were chained and labeled as chattel). The mixtape will illustrate four eras
1. European Enslavement of the African
2. Emancipation & Black Pride
3. Re-Enslavement and the Identity Crisis
4. Call To Action
Thank you for your time and Happy Black History Month =)
Keith Jones
Editor-In-Chief, TheNynthLife.com
E-mail: Keith@TheNynthLife.com
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The Following is an excerpt from TheNynthLife.com
March 27th, Madonna will be releasing M.D.N.A, the first taste of the Queen since 2008’s Hard Candy. In honor of the release, we will be treating fans and readers to our favorite Madonna cuts every Monday until the M.D.N.A release. Let the party begin!
1983, Madonna was just a New York girl hitting the clubs and chasing gigs wherever she could get them. Who’d have known one year later she’d be the biggest thing since Reagan? Madonna has an extensive catalogue of dance anthems, and her self-titled debut was no exception. Supported by hits like “Holiday”, “Borderline”, and “Lucky Star”, Madonna kept the dance floors filled to capacity. The album cut we’ve chosen from 1983’s Madonna, is a track titled “Think Of Me”; a synth-heavy, bass-booming, pop confection like no other. A female-empowerment song for sure, “Think Of Me” lets the man know what he better do if he wants to keep a Material Girl from walking out the door. Check out the track below and let us know what you “Think Of” it:
[audio:http://thenynthlife.com/wp-content/uploads/2012/02/06-Think-of-Me.mp3|titles=06 Think of Me]
In celebration of the life of Whitney Houston, The Nynth Life presents, Viva La Whitney, counting down our most favorite [top ten] Whitney Houston moments. As hard as it is to condense this woman’s great legacy down to ten moments, below you’ll find ten of Whitney Houston’s great performances. While the media is constantly pushing the negatives in her life, it is our goal to push the positivity which she also exuded through the power of her voice.
10. Whitney Houston sings National Anthem (circa 1991 Super Bowl) 9. Whitney Houston sings “I’m Your Baby Tonight” live at Welcome Home Heroes Concert circa 1991 8. Whitney Houston and Brandy sings “Impossible/It’s Possible” [from Cinderalla Film circa 1997] 7. Whitney Houston sings opera live with Luciano Pavarotti, Sting, and Elton John in La Donna e Mobile circa 1994 6. Whitney tributes Luther Vandross at Soul Train Music Awards 5. Whitney Houston sings “Shoop” live featuring Bebe Winans, Monica Brown, and Pastor Shirley Ceasar 4. Whitney Houston live in Germany singing “My Love Is Your Love” with daugter, Bobbi Kristina 3. Whitney Houston and Mariah Carey Duet: “When You Believe” 2. Whitney Houston sings “I Love The Lord” live at Rod Laver Arena in Melbourne, Austrailia in 2010 1. Whitney Houston and Kim Burrell sings “I Look To You” at BET’s 2011 Celebration of Gospel
*an excerpt from TheNynthLife.com
N****s In America kicks off with the beginning of the beginning, the Fisk Jubilee Singers. #KnowYourHistory!
Before Beyoncé was selling shows, before Run DMC were sporting Adidas, and before The Temptations were crooning their way to our hearts…there was a force of a different nature with the ability to capture the eyes of everyone in America. This force we speak of is none other than The Fisk Jubilee Singers.
Fisk University is an HBCU in Nashville, Tennessee founded in 1865 and boasting alumni such as W.E.B DuBois, Etta Zuba Falconer, and Marion Berry. The university’s choir was formed in 1871; proposed by their treasurer and music director, George L. White, as a method to save the university from their financial struggles. To do so, the Jubilee toured America in effort to earn profits for the institution.
The tour started on October 6, 1871, (now celebrated as Jubilee Day) with just nine members. Beginning in small towns, the singers were met with hostility and shock that they were not performing in the traditional “minstrel fashion”. In fact, the Jubilee Singers were notorious for ditching blackface and popularizing the Negro spiritual, a tradition many whites were unaware of. Post Civil War, the Jubilee was striking America a time in which the subject of racism was still very sensitive to blacks and whites.
On one early show in Cincinnati, the troupe earned $50 and later donated it all to Chicago in defense of the notorious 1871 Chicago Fire. This discouraged the students, as they felt emotionally and physically drained. In effort to pick up their spirits, White named them the “Jubilee Singers”—pulling the name from the Bible’s Book of Leviticus, Chapter 25.
As the Jubilee Singers continued to tour, their performances became accepted and met with critical appraisal. By the end of the tour, Fisk and the Jubilee earned a whopping $40,000.

A year later, Jubilee was invited to sing at the World Peace Festival in Boston as well as the White House to perform for President Ulysses S. Grant. In 1873, the troupe expanded to 11 members and embarked on their first tour of Europe. Here they performed for Queen Victoria of England where they were gifted the commission for a ceiling-to-floor portrait of the original nine singers. The portrait is housed in Jubilee Hall, Fisk’s first permanent structure.
In 2008, the Fisk Jubilee Singers were honored with the 2008 National Medal of Arts by George W. Bush and First Lady Laura Bush. This is the highest honor for artists and patrons of the arts.
Information gathered from the Fisk Jubilee Singers official website.